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Студийный монитор M-AUDIO M3-8. Инструкция на английском языке

Руководство пользователя M-AUDIO M3-8. Основные функции, характеристики и условия эксплуатации изложены на 40 страницах документа в pdf формате.

Информация

Раздел
Музыкальное оборудование
Категория
Звуковое оборудование
Тип устройства
Студийный монитор
Производитель (бренд)
M-AUDIO
Модель
M-AUDIO M3-8
Еще инструкции
Звуковое оборудование M-AUDIO, Студийный монитор M-AUDIO
Язык инструкции
английский
Дата создания
21 Февраля 2019 г.
Просмотры
71 просмотр
Количество страниц
40
Формат файла
pdf
Размер файла
1.2 Мб
Название файла
m_audio_manual_m3_8.pdf

Фото

Страница 1Страница 2Страница 3Страница 4

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Доступно к просмотру 37 страниц. Рекомендуем вам скачать файл инструкции, поскольку онлайн просмотр документа может сильно отличаться от оригинала.

  • User Guide
    English ( 3 – 9 )
    Guia del usuario
    Espanol ( 10 – 16 )
    Guide d'utilisation
    Francais ( 17 – 23 )
    Guida per l'uso
    Italiano ( 24 – 30 )
    Benutzerhandbuch
    Deutsch ( 31 – 37 )
  • User Guide (English)
    Introduction
    Thank you for choosing the M-Audio M3-8 3-way amplified studio monitors. The  M3 line of
    loudspeakers build on M-Audio's legacy of high performance studio monitors, with the 3-way driver
    design providing accurate, high-resolution playback that is free of audible distortion and coloration.
    This allows you to hear everything that is in your source recordings so that you can create better
    mixes.
    Even if you are experienced with recording and mixing, please take a moment to read through this
    guide. It will give you valuable information about how to set up your M3-8 monitors and will help you
    get the most out of your new purchase.
    Box Contents
    M3-8 studio monitor (1)   User Guide
    IEC power cable (1)     Safety & Warranty Manual
    Non-slip pad (1)
    Support
    For complete system requirements, compatibility information, and product registration, visit the M-
    Audio website: m-audio.com.
    For additional product support, visit m-audio.com/support.
    Specifications
    Frequency response     40 Hz ~ 20 KHz
    Low-Mid: 450 Hz
    Crossover frequency
    Mid-High: 3.9 KHz
    Low-frequency amplifier power   150 W
    Mid-frequency amplifier power   30 W
    High-frequency amplifier power   20 W
    LF cutoff              flat, 80 Hz, 100 Hz
    LF boost cut           +6 dB at 100 Hz
    MF boost cut           +6 dB at 1 KHz
    HF boost cut           +6 dB at 10 KHz
    Polarity               Positive signal at + input produces outward LF cone displacement
    Input impedance        20 K? balanced, 10 K? unbalanced
    85 mV pink noise input produces 90 dBA output SPL at 1 meter with
    Input sensitivity
    volume control at maximum
    Power                  200 W
    Output current limiting; over-temperature; transient on/off protection to
    Protection
    prevent speaker "pops"; subsonic filter; external mains fuse
    Cabinet                Wood veneer front baffle with vinyl-laminated cabinet
    10.6" x 17.1" x 11.2"
    Size (W x H x D)
    268 mm x 434 mm x 285 mm
    28.2 Ibs./unit
    Weight
    12.8 kg/unit
    Above specifications subject to change without notice.
    3
  • Connection Diagrams
    M-Audio M3-8  monitors feature balanced XLR  and 1/4"  connectors, as well as unbalanced
    RCA-type analog inputs. Connect the outputs of your audio interface, monitor controller, mixer,
    or other line-level device to these inputs.
    Tip: If your mixer, interface, or other audio  source features both XLR/TRS  and RCA-type
    outputs, use the XLR or TRS connectors instead of the RCA connectors whenever possible.
    XLR and TRS  cables incorporate a "balanced"  design that  carries a  signal over three
    conductors ("hot," "cold," and "ground") instead  of two conductors as found in RCA cables
    ("hot,"  and "ground").  This results in lower noise, higher rejection of radio-frequency (RF)
    interference, and better overall fidelity. If XLR/TRS jacks are unavailable, use RCA-style cables
    but try to keep the cables as short as possible.
    Scenario 1
    Audio Interface                  VOL  MIDI IN  MIDI OUT  R  L  R  L  USB
    (Balanced TRS
    to Balanced TRS)
    VOLUME  LOW  MID  HIGH  VOLUME  LOW  MID  HIGH
    Scenario 2
    Mixer
    (Balanced XLR
    to Balanced XLR)
    VOLUME  LOW  MID  HIGH  VOLUME  LOW  MID  HIGH
    Scenario 3
    Preamplifier
    (Unbalanced RCA
    to Unbalanced RCA)
    R  L
    VOLUME  LOW  MID  HIGH  VOLUME  LOW  MID  HIGH
    4

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