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Руководство пользователя YAMAHA PSR-510. Основные функции, характеристики и условия эксплуатации изложены на 77 страницах документа в pdf формате.
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Wichtiger Hinweis fur die Benutzung in der Bundesrepublik Deutschland. Bescheinigung des Importeurs CANADA Hiermit wird bescheinigt, da? der/die/das THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS B” Musikinstrument Typ: PSR-510 LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE REGULATION OF THE (Gerat, Typ, Bezeichnung) CANADIAN DEPARTMENT OF COMMUNICATIONS. in Ubereinstimmung mit den Bestimmungen der LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE BRUITS VERFUGUNG 1046/84 RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES AUX (Amtsblattverfugung) APPAREILS NUMERIQUES DE LA “CLASSE B” PRESCRITES DANS funk-entstort ist. LE REGLEMENT SUR LE BROUILLAGE RADIOELECTRIQUE EDICTE PAR LE MINISTERE DES COMMUNICATIONS DU CANADA. Der Deutschen Bundespost wurde das Inverkehrbringen dieses Gerates angezeigt und die Berechtigung zur Uberprufung der Serie auf • This applies only to products distributed by Yamaha Canada Music Ltd. Einhaltung der Bestimmungen eingeraumt. • Ceci ne s’applique qu’aux produits distribues par Yamaha Canada Music Ltd. Yamaha Europa GmbH Name des Importeurs The serial number of this product may be found on the bottom of the unit. • This applies only to products distributed by Yamaha Europa GmbH. You should note this serial number in the space provided below and • Dies bezieht sich nur auf die von der Yamaha Europa GmbH vertriebenen Produkte. retain this manual as a permanent record of your purchase to aid identifi- cation in the event of theft. Entsorgung leerer Batterien (nur innerhalb Deutschlands) Model No. PSR-510 Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte Batterien oder Akkumulatoren durfen nicht in den Hausmull. Sie konnen bei einer Sammelstelle fur Altbatterien bzw. Sondermull abgegeben werden. Serial No. Informieren Sie sich bei Ihrer Kommune. SPECIAL MESSAGE SECTION This product utilizes batteries or an external power supply (adapter). DO which (if applicable) is soldered in place. The average life span of this type NOT connect this product to any power supply or adapter other than one of battery is approximately five years. When replacement becomes neces- described in the manual, on the name plate, or specifically recommended by sary, contact a qualified service representative to perform the replacement. Yamaha. This product may also use “household” type batteries. Some of these may This product should be used only with the components supplied or; a cart, be rechargeable. Make sure that the battery being charged is a recharge- rack, or stand that is recommended by Yamaha. If a cart, etc., is used, able type and that the charger is intended for the battery being charged. please observe all safety markings and instructions that accompany the When installing batteries, do not mix batteries with new, or with batteries of accessory product. a different type. Batteries MUST be installed correctly. Mismatches or SPECIFICATIONS SUBJECT TO CHANGE: incorrect installation may result in overheating and battery case rupture. The information contained in this manual is believed to be correct at the time Warning: Do not attempt to disassemble, or incinerate any battery. Keep of printing. However, Yamaha reserves the right to change or modify any of all batteries away from children. Dispose of used batteries promptly and as the specifications without notice or obligation to update existing units. regulated by the laws in your area. Note: Check with any retailer of house- This product, either alone or in combination with an amplifier and head- hold type batteries in your area for battery disposal information. phones or speaker/s, may be capable of producing sound levels that could Disposal Notice: Should this product become damaged beyond repair, or cause permanent hearing loss. DO NOT operate for long periods of time at a for some reason its useful life is considered to be at an end, please ob- high volume level or at a level that is uncomfortable. If you experience any serve all local, state, and federal regulations that relate to the disposal of hearing loss or ringing in the ears, you should consult an audiologist. products that contain lead, batteries, plastics, etc. If your dealer is unable IMPORTANT: The louder the sound, the shorter the time period before to assist you, please contact Yamaha directly. damage occurs. NAME PLATE LOCATION: NOTICE: The name plate is located on the bottom of the product. The model Service charges incurred due to a lack of knowledge relating to how a func- number, serial number, power requirements, etc., are located on this plate. tion or effect works (when the unit is operating as designed) are not covered You should record the model number, serial number, and the date of by the manufacturer’s warranty, and are therefore the owners responsibility. purchase in the spaces provided below and retain this manual as a perma- Please study this manual carefully and consult your dealer before requesting nent record of your purchase. service. ENVIRONMENTAL ISSUES: Model Yamaha strives to produce products that are both user safe and environ- mentally friendly. We sincerely believe that our products and the production Serial No. methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: Battery Notice: This product MAY contain a small non-rechargeable battery Purchase Date PLEASE KEEP THIS MANUAL FCC INFORMATION (U.S.A.) IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! tee that interference will not occur in all installations. If this product is found This product, when installed as indicated in the instructions contained in this to be the source of interference, which can be determined by turning the unit manual, meets FCC requirements. Modifications not expressly approved by “OFF” and “ON”, please try to eliminate the problem by using one of the Yamaha may void your authority, granted by the FCC, to use the product. following measures: IMPORTANT: When connecting this product to accessories and/or another • Relocate either this product or the device that is being affected by the product use only high quality shielded cables. Cable/s supplied with this interference. product MUST be used. Follow all installation instructions. Failure to follow • Utilize power outlets that are on different branch (circuit breaker or fuse) instructions could void your FCC authorization to use this product in the USA. circuits or install AC line filter/s. NOTE: This product has been tested and found to comply with the require- • In the case of radio or TV interference, relocate/reorient the antenna. If the ments listed in FCC Regulations, Part 15 for Class “B” digital devices. Compli- antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial ance with these requirements provides a reasonable level of assurance that type cable. your use of this product in a residential environment will not result in harmful If these corrective measures do not produce satisfactory results, please interference with other electronic devices. This equipment generates/uses contact the local retailer authorized to distribute this type of product. If you radio frequencies and, if not installed and used according to the instructions can not locate the appropriate retailer, please contact Yamaha Corporation found in the users manual, may cause interference harmful to the operation of of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena other electronic devices. Compliance with FCC regulations does not guaran- Park, CA90620 • This applies only to products distributed by Yamaha Corporation of America.
Congratulations! You are the proud owner of a Yamaha PSR-510. Your PSR-510 is a high- quality musical instrument that incorporates advanced Yamaha digital tech- nology and many versatile features. In order to obtain maximum performance and enjoyment from your PSR-510, we urge you to read this Owner’s Manual thoroughly while trying out the various features described. Keep the Owner’s Manual in a safe place for later reference. Contents Panel Controls 2 Record Functions 37 Song Memory .................................................................... 37 Taking Care of Your PortaTone 4 Realtime Accompaniment Track Recording.................. 38 Preparation 5 Realtime Melody Track Recording ................................ 40 Power Supply .................................................................. 5 Accompaniment And Melody Playback......................... 41 Using Headphones Or an External Sound System ......... 6 The [RESET] Button ..................................................... 42 The Sustain Pedal........................................................... 6 Record Or Play from a Specified Measure ................... 42 The Music Stand ............................................................. 6 The Multi Pads .................................................................. 43 Realtime Recording ...................................................... 43 Listen to the Demo! 7 Playback ....................................................................... 44 Basic Editing Procedure 8 Custom Accompaniment ................................................. 45 Selecting & Playing the Voices 10 Realtime Custom Accompaniment Recording .............. 45 Using a Custom Accompaniment.................................. 47 Orchestration ................................................................ 10 Step Recording ................................................................. 48 Voice Assignment ......................................................... 12 Editing Functions ............................................................. 48 Volume .......................................................................... 13 Quantization .................................................................. 51 Octave........................................................................... 13 Clearing Tracks ............................................................. 52 DSP Depth .................................................................... 14 Changing the Recorded Settings .................................. 52 Pan................................................................................ 14 Auto Harmony ............................................................... 15 Page Memory 54 Effects ........................................................................... 16 MIDI 55 Keyboard Percussion .................................................... 17 MIDI Bulk Dump ................................................................ 56 Pitch Bend..................................................................... 18 Page Copy .................................................................... 57 Sustain .......................................................................... 18 MIDI Reception Modes ..................................................... 58 Overall Control 19 Channel Reception Modes............................................ 58 Split Point Change ......................................................... 19 Clock Mode ................................................................... 59 Transpose ..................................................................... 20 Start/Stop Mode ............................................................ 59 Tuning ........................................................................... 20 MIDI Transmission............................................................ 60 DSP Type...................................................................... 21 MIDI Transmit Channels ............................................... 60 Touch Sensitivity ........................................................... 22 Local & MIDI Output ON/OFF ....................................... 60 Auto Accompaniment 23 Selecting a Style ........................................................... 23 Appendix ............................................................................... 61 Setting the Auto Accompaniment Split Point ................ 24 Voice & Polyphony List ................................................. 61 Auto Accompaniment Fingering .................................... 24 Style List ....................................................................... 62 Tempo Control .............................................................. 27 Reset Procedures & Page Memory Default Settings .... 65 Accompaniment Control................................................ 28 Troubleshooting ............................................................ 67 Accompaniment Volume ............................................... 31 Index ................................................................................ 68 The Track Buttons......................................................... 31 Re-voicing the Tracks ................................................... 32 Percussion Kit List .......................................................... 274 One Touch Setting 34 MIDI Implementation Chart ............................................ 276 Registration Memory 35 Specifications ................................................................. 279 | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | 1
Taking Care of Your PortaTone Your PortaTone will give you years of playing pleasure if you follow the simple rules given below: Location Handling and Transport Do not expose the instrument to the following • Never apply excessive force to the controls, con- conditions to avoid deformation, discoloration, or nectors or other parts of the instrument. more serious damage. • Always unplug cables by gripping the plug firmly, not by pulling on the cable. • Direct sunlight (e.g. near a window). • Disconnect all cables before moving the instru- • High temperatures (e.g. near a heat source, out- ment. side, or in a car during the daytime). • Physical shocks caused by dropping, bumping, or • Excessive humidity. placing heavy objects on the instrument can re- • Excessive dust. sult in scratches and more serious damage. • Strong vibration. Cleaning Power Supply • Clean the cabinet and panel with a dry soft cloth. • Turn the power switch OFF when the instrument • A slightly damp cloth may be used to remove is not in use. stubborn grime and dirt. • A power adaptor, if used, should be unplugged • Never use cleaners such as alcohol or thinner. from the AC outlet if the instrument is not to be • Avoid placing vinyl objects on top of the instru- used for an extended period of time. ment (vinyl can stick to and discolor the surface). • Unplug the power adaptor during electric storms. • Avoid plugging the power adaptor into the same Electrical Interference AC outlet as appliances with high power con- • This instrument contains digital circuitry and sumption, such as electric heaters or ovens. Also may cause interference if placed too close to ra- avoid using multi-plug adaptors since these can dio or television receivers. If this occurs, move result in reduced sound quality and possibly the instrument further away from the affected damage. equipment. Turn Power OFF When Making Service and Modification Connections • The PSR-510 contains no user serviceable parts. • To avoid damage to the instrument and other Opening it or tampering with it in anyway can devices to which it is connected (a sound system, lead to irreparable damage and possibly electric for example), turn the power switches of all re- shock. Refer all servicing to qualified YAMAHA lated devices OFF prior to connecting or discon- personnel. necting audio and MIDI cables. YAMAHA is not responsible for damage caused by improper handling or operation. 4 | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |