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Синтезатор YAMAHA PSR-2700. Инструкция на английском языке

Руководство пользователя YAMAHA PSR-2700. Основные функции, характеристики и условия эксплуатации изложены на 94 страницах документа в pdf формате.

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Раздел
Музыкальное оборудование
Категория
Синтезаторы
Тип устройства
Синтезатор
Производитель (бренд)
YAMAHA
Модель
YAMAHA PSR-2700
Еще инструкции
Синтезаторы YAMAHA, Синтезаторы YAMAHA
Язык инструкции
английский
Дата создания
28 Ноября 2018 г.
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118 просмотров
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94
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pdf
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1.86 Мб
Название файла
yamaha_manual_psr_2700.pdf

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Доступно к просмотру 92 страницы. Рекомендуем вам скачать файл инструкции, поскольку онлайн просмотр документа может сильно отличаться от оригинала.

  • ENGLISH
    DEUTSCH
    FRANCAIS
    ESPANOL
    Owner’s Manual
    Bedienungsanleitung
    Mode d’emploi
    Manual de instrucciones
  • Wichtiger Hinweis fur die Benutzung in der Bundesrepublik Deutschland.  NAME PLATE LOCATION: The graphic below indi-
    Bescheinigung des Importeurs              cates the location of the name plate. The model number,
    Hiermit wird bescheinigt, da? der/die/das              serial number, power requirements, etc., are located on this
    plate. You should record the model number, serial number,
    Electronic Keyboard Typ: PSR-1700/PSR-2700
    and the date of purchase in the spaces provided below and
    (Gerat, Typ, Bezeichnung)
    retain this manual as a permanent record of your purchase.
    in Ubereinstimmung mit den Bestimmungen der
    VERFUGUNG 1046/84
    (Amtsblattverfugung)                                                    HEADPHONES  AUX OUT R  L+R/L  LINE SAMPLE IN MIC  2 PEDAL 1  THRU  MIDI OUT  IN  AVIS: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR.  WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
    CAUTION
    RISK OF ELECTRIC SHOCK
    DO NOT OPEN
    DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.
    funk-entstort ist.
    Der Deutschen Bundespost wurde das Inverkehrbringen dieses Gerates
    angezeigt und die Berechtigung zur Uberprufung der Serie auf
    Einhaltung der Bestimmungen eingeraumt.
    Yamaha Europa GmbH                                     Model _________________________________________
    Name des Importeurs
    Serial No. ______________________________________
    Purchase Date _________________________________
    • This applies only to products distributed by Yamaha Europa GmbH.
    • Dies bezieht sich nur auf die von der Yamaha Europa GmbH vertriebenen Produkte.
    Entsorgung leerer Batterien (nur innerhalb Deutschlands)
    Leisten Sie einen Beitrag zum Umweltschutz. Verbrauchte
    Batterien oder Akkumulatoren durfen nicht in den Hausmull. Sie  Dit produkt is gefabriceerd in overeenstemming met de
    konnen bei einer Sammelstelle fur Altbatterien bzw. Sondermull  radiostoringsvoorschriften van de Richtlijn van de Raad (82/499/EEG).
    abgegeben werden. Informieren Sie sich bei Ihrer Kommune.  AUTH H SUSKEUH ANTAPOKRINETAI STIS APAITHSEIS TWN
    ODHGIWN THS EURWPAIKHS OIKONOMIKHS KOINOTHTAS 82/499/
    E.O.K..
    Este produto esta de acordo com o radio de interferencia frequente
    requiridos do Conselho Diretivo 82/499/EEC.
    Dette apparat overholder det gaeldende EF-direktiv vedrorende
    CANADA                                                 radiostoj.
    THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS      Cet appareil est conforme aux prescriptions de la directive
    B”  LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL      communautaire 87/308/CEE.
    APPARATUS SET OUT IN THE RADIO INTERFERENCE REGU-      Diese Gerate entsprechen der EG-Richtlinie 82/499/EWG und/oder 87/
    LATION OF THE CANADIAN DEPARTMENT OF COMMUNICA-        308/EWG.
    TIONS.
    This product complies with the radio frequency interference require-
    LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE BRUITS     ments of the Council Directive 82/499/EEC and/or 87/308/EEC.
    RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES     Questo apparecchio e conforme al D.M.13 aprile 1989 (Direttiva CEE/
    AUX APPAREILS NUMERIQUES DE LA “CLASSE B”              87/308) sulla soppressione dei radiodisturbi.
    PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE
    RADIOELECTRIQUE EDICTE PAR LE MINISTERE DES COMMU-     Este producto esta de acuerdo con los requisitos sobre interferencias de
    radio frequencia fijados por el Consejo Directivo 87/308/CEE.
    NICATIONS DU CANADA.
    • This applies only to products distributed by Yamaha Canada Music Ltd.  YAMAHA CORPORATION
    • Ceci ne s’applique qu’aux produits distribues par Yamaha Canada Music Ltd.
    OBSERVERA!
    Apparaten kopplas inte ur vaxelstromskallan (natet) sa lange som
    den ar ansluten till vagguttaget, aven om sjalva apparaten har
    stangts av.
    ADVARSEL: Netsp?endingen til dette apparat er IKKE afbrudt,
    sal?enge netledningen siddr i en stikkontakt, som er t endt — ogsa
    selvom der or slukket pa apparatets afbryder.
    VAROITUS: Laitteen toisiopiiriin kytketty kayttokytkin ei irroita
    koko laitetta verkosta.
  • Congratulations!
    You are the proud owner of a Yamaha PSR-1700/PSR-2700. Your PSR-
    1700/PSR-2700 is a high-quality musical instrument that incorporates
    advanced Yamaha digital technology and many versatile features. In order to
    obtain maximum performance and enjoyment from your PSR-1700/PSR-2700,
    we urge you to read this Owner’s Manual thoroughly while trying out the
    various features described. Keep the Owner’s Manual in a safe place for later
    reference.
    Contents
    Panel Controls                                    2      Custom Accompaniment ..............................................................47
      Realtime Custom Accompaniment Recording ..........................47
    Taking Care of Your PortaTone                     4
      Using a Custom Accompaniment .............................................49
    Preparation                                       5      Step Recording ..............................................................................50
      Power Supply ..............................................................................5  Editing Functions ..........................................................................53
      Installing the Backup Batteries ...................................................5    Quantization ..............................................................................53
      Using Headphones ..................................................................... 6    Clearing Tracks ......................................................................... 54
      Connecting to an External Sound System ..................................6    Changing the Recorded Settings ..............................................55
      Using Pedals ...............................................................................6  Using Floppy Disks  56
      The Music Stand ......................................................................... 6    Formatting a New Floppy Disk ..................................................57
    Listen to the Demo!                               7         Saving, Loading, & Deleting Disk Files .....................................58
      Try the Disk Demo, Too! .............................................................8    Saving to Disk .......................................................................58
      Loading From Disk ................................................................60
    Basic Editing Procedure                           9
      Deleting a Disk File ...............................................................61
    Selecting & Playing the Voices                   11         Quick Play:
    Disk Orchestra Collection & Standard MIDI File Disks .............62
      Orchestration ............................................................................11
      Minus One Playback .............................................................62
      Voice Assignment ..................................................................... 13
      Volume...................................................................................... 14  PSR-2700 Digital Sampling  63
      Octave ...................................................................................... 14    Connections ..............................................................................63
      DSP Depth ................................................................................15    Setting the Input Level ..............................................................63
      Pan ...........................................................................................15    Setting the Sampling Frequency ...............................................64
      Auto Harmony ........................................................................... 16    Setting the Trigger Level ...........................................................65
      Effects .......................................................................................17    Recording .................................................................................66
      Keyboard Percussion ................................................................18    Playing the Sample Pads ..........................................................67
      Pitch Bend ................................................................................18    Editing Samples ........................................................................68
      Modulation ................................................................................19    Clearing Samples..................................................................68
    Overall Control                                  20           Tuning the Samples ..............................................................68
      Split Point Change ....................................................................20    Volume, DSP Depth, & Pan Settings ....................................69
      Individual SAMPLE PAD Volume Settings .........................69
      Transpose .................................................................................21  Playing Samples via the Keyboard ...........................................70
      Tuning .......................................................................................21    Mapping ................................................................................70
      DSP Type .................................................................................22
      Sample Memory Backup & Disk Storage ..................................71
      Touch Sensitivity ....................................................................... 23
    Pedal Assign                                    72
    Auto Accompaniment                               24
      Selecting a Style ....................................................................... 24  MIDI  73
      Setting the Auto Accompaniment Split Point ............................25  MIDI Reception Modes ..................................................................74
      Auto Accompaniment Fingering ................................................ 25    Channel Reception Modes .......................................................74
      Tempo Control ..........................................................................28    Clock Mode ...............................................................................75
      Accompaniment Control ...........................................................29    Start/Stop Mode ........................................................................75
      Accompaniment Volume ...........................................................32  MIDI Transmission ........................................................................76
      The Track Buttons ....................................................................33    MIDI Transmit Channels ...........................................................76
      Re-voicing the Tracks ...............................................................34    Local & MIDI Output ON/OFF ...................................................76
    One Touch Setting                                36
    Registration Memory                              37
    Appendix ........................................................................................77
    Record Functions                                 39         Voice & Polyphony List .............................................................77
    Song Memory ................................................................................39    Style List ...................................................................................78
      Realtime Accompaniment Track Recording .............................40    Error Messages ........................................................................81
      Realtime Melody Track Recording............................................ 42    System Reset Procedure ..........................................................82
      Accompaniment And Melody Playback ....................................43    Troubleshooting ........................................................................83
      The [RESET] Button ................................................................. 44  Index ...............................................................................................84
      Record Or Play from a Specified Measure ...............................44
    The Multi Pads ...............................................................................45  Percussion Kit List ......................................................................338
      Realtime Recording ..................................................................45  MIDI Implementation Chart .........................................................340
      Playback ...................................................................................46  Specifications .............................................................................343
    | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |   1

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