Процессор LINE 6 POD 2.0. Инструкция на английском языке

Pilot’s Handbook for version 2.0 software
An in-depth exploration of the revolutionary technologies and pulsing
tonal pleasures of POD, plus the insider info on the optional Line 6 foot
controllers: the  Floor Board and  FB4. An electrophonic version is
available on the included CD-Rom and at www.line6.com. Revision F.
This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part 15 of FCC Rules. Operation is subject to the
following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference  received, including
interference that may cause undesired operation.
POD, Line 6, Amp Farm, Flextone II, and Line 6 logos are all trademarks of Line 6. Pro Tools and TDM are trademarks of Digidesign. Emagic and SoundDiver are
trademarks of Emagic Software. Mackie and 1202VLZ are trademarks of Mackie. Arbiter, Fender, Marshall, Matchless, Mesa Boogie, Soldano, Vox and other
ampli?er and effect models are all trademarks of their respective owners, which are in no way af?liated or associated with Line 6. These trademarks of other
manufacturers are used solely for the purpose of describing certain ampli?er tones modeled after some of the most popular sounds of these classic amps and effects.

REDUCED SIZE BACK COVER FOLDOUT FOR ELECTROPHONIC PILOT'S GUIDE
Turns off the effects  Higher settings  "squeeze" your volume  more.  The tremolo was  designed with the  characteristic Fender  shape.  Square wave LFO,  "rack" type chorus  setup; subtler than  Chorus 2  Sine wave LFO, approx.  10% feedback; emulates  an old Roland CE-1 for  classic stomp box sound.  Light Flange  Heavier flange with  more feedback.  This emulates a classic  spinning speaker, a la  the Leslie  Very quick delays will  have no repeats
EFFECT SETUPS  Tweak  Tap  n/a  n/a  Ratio  n/a  Depth Tremolo Speed  Range of Chorus Speed  choruses  Range of Chorus Speed  choruses     Range of Flanger Speed  flangers  Range of Flanger Speed  flangers  Depth Rotary Speed  Delay Level  Delay Time  Swell Time  Delay Time  26
Notes
Compressor
Effect
Tremolo
Bypass
1  Chorus 1  Chorus 2  Flanger 1  Flanger 2  Rotary Speaker  Delay  Delay Swell
POWER          10       2
10   16  0  EFFECT  TWEAK  INPUT
15    REVERB
MIDI  IN     0          DELAY/TREMOLO  DELAY/CHORUS 1  DELAY/CHORUS 2  DELAY/FLANGER 1  DELAY/FLANGER 2
8          10              DELAY/COMPRESSOR  4x10  4x12  DELAY/SWELL
MIDI  OUT  14  0 CHAN  VOL  21  SA VE  TAP  (HOLD)  20  ( CAB SELECT)  EFFECTS  DELAY  2x12  1x8  OFF  BYPASS  28
ROTARY  FLANGER 2 17  1x12  COMPRESSOR
TREBLE
10    22  MIDI  NOISE  GATE  19  FLANGER 1  CHORUS 2  CHORUS 1  TREMOLO  25
0     9  MANU AL  TUNER  18                     6
7  PEDAL      POD  THE ULTIMATE GUITAR DIRECT BOX  Version 2.0  U
MIDDLE
10
0         AB  CD     BRIT CLASSIC  BRIT HI GAIN  RECTIFIED  MODERN HIGAIN  * Fender, Marshall, Vox, Budda, Dumble, Matchless, Mesa Boogie, Soldano, Roland, Arbiter, and other amplifier and effect models are all trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely for the purpose of describing certain amplifier and effect tones produced using Li
RIGHT  OUTPUT     6       BRIT CLASS A  BRIT BLUES  FUZZ BOX  27
5     13     10      EDITED  (AMP MODELS 17–32) AMP MODELS  MODERN CLASS A  TUBE PREAMP
DIRECT/AMP  A.I.R. MODE  0  BASS
6                          BLACK PANEL  TWEED BLUES 11  SMALL TWEED  LINE 6 LAYER  LINE 6 DRIVE  LINE 6 CRUNCH  LINE 6 CLEAN  24
LEFT  OUTPUT  10                                     23
5        12   0  DRIVE  10   PHONES
4   0  OUTPUT  LEVEL  3
Volume Pedal  Reverb  Room  Pre  Spring  Pre  Room  Post  Room  Post  Room  Pre  Spring  Pre  Spring  Pre  Spring  Pre  Room  Pre  Room  Pre  Room  Pre  Room  Post  Room  Post  Room  Post  Room  Post  Room  Post  Spring  Pre  Room  Pre  Room  Pre  Room  Post  Room  Pre  Room  Pre  Spring  Pre  Room  Pre  Room  Pre  Spring  Pre  Spring  Post  Room  Pre  Room  Post  Room  Post  Room  Post  Room  Post
Line 6 21st Century Clean Based on:  Line 6 Thick Grindage Line 6 Industrial Strength Overdrive Line 6 Clean meets Psychotic Drive  1952 Fender Tweed Deluxe  1959 Fender Bassman  1964 Blackface Fender Deluxe  1996 Matchless Chieftain  1960 Vox AC 15  1964/65 Marshall JTM-45  1968 Marshall  “Plexi”  1986 Marshall JCM 800  1994 Mesa Boogie Dual Rectifier 1989 Soldano SLO Super Lead Overdrive  1960s Arbiter Fuzz Face  Tube-based instrument preamp  Fender
AMP MODELS *  Amp Model  Line 6 Clean  Line 6 Crunch  Line 6 Drive  Line 6 Layer  Small Tweed  Tweed Blues  Black Panel  Modern Class A  Brit Class A  Brit Blues  Brit Classic  Brit Hi Gain  Rectified  Modern Hi Gain  Fuzz  Tube Preamp (Hold Tap and turn to this position) for Amp Models 17-32:  (Line 6 Clean) Line 6 Twang (Line 6 Crunch) Line 6 Crunch #2  (Line 6 Drive) Line 6 Blues  (Line 6 Layer) Line 6 Insane (Small Tweed) Small Tweed #2  (Tweed Blues)

Presets
2.0     BANK 1  A  Big Rectifier with Delay & Room Reverb
More great sounds for your POD are at www.line6.com
B
Black Panel with Compression & Spring Reverb
C
Vox AC-30 Top Boost
POD        BANK 2  D Marshall JTM-45 with Room Reverb
A
Line 6 Clean with Compression
Line 6 Crunch with Room Reverb
B
Line 6 Drive with Delay
C
D Line 6 Layer with Light Chorus & Delay
BANK 3  A  Small Tweed with Room Reverb – modeled after 1952 Fender Deluxe
B
Tweed Blues – modeled after 1959 Fender Bassman
C
Black Panel with Tremolo & Spring Reverb – modeled after 1965 Fender Deluxe
D Modern Class A – modeled after 1996 Matchless Chieftain
Line 6's modeling technology provides Line 6 products with a wide variety of sounds and effects
amplifier and effect models are all trademarks of their respective owners, which are in no way
for the purpose of describing certain amplifier tones produced using Line 6's modeling technology.
associated or affiliated with Line 6. These trademarks of other manufacturers are used solely
modeled after some of the most popular sounds of these classic amps and effects.
Fender, Marshall, Vox, Dumble, Matchless, Mesa Boogie, Roland, Soldano, Arbiter, and other
BANK 4  A  Brit Class A with Echo – modeled after 1963 Vox AC 30 Top Boost
B
Brit Blues – modeled after 1965 Marshall JTM-45
Brit Classic – modeled after 1968 Marshall “Plexi”
C
D Brit Hi Gain – modeled after 1990 Marshall JCM 800
BANK 5  A  Rectified – modeled after 1994 Mesa Boogie Dual Rectifier Tremoverb
B
Modern Hi Gain with Echo & Verb – modeled after 1989 Soldano X88 Preamp
C
Fuzz Box – modeled after Arbitor Fuzzface
D Tube Preamp – for direct recording of non-guitar instruments
BANK 6  A  Line 6 Twang with Slapback Echo – modeled after Fender Deluxe meets Bassman
Line 6 Crunch #2 with Room Reverb – modeled after Plexi + more tone range
B
Line 6 Blues – modeled after Marshall JTM-45 meets Budda Twinmaster
C
D Line 6 Insane with Echo & Verb – guaranteed to make you shred!
BANK 7  A  Small Tweed #2 – modeled after 1960 Fender Champ
B
Boutique #3 – modeled after Budda Twinmaster
C
Black Panel #2 – modeled after 1965 Blackface Fender Twin
Brit Class A #3 with Echo – modeled after 1960 Vox AC15
A
BANK 8  A  Brit Class A #2 – modeled after 1960 Vox AC 30
California Crunch #1 modeled after Mesa Boogie Mark IIC+ Clean Channel
B
California Crunch #2 modeled after Mesa Boogie Mark IIC+ Drive Channel
C
D Boutique #1 with light slapback – modeled after Dumble Overdrive Special Clean
BANK 9  A  Rectified #2 modeled after 1995 Mesa Boogie Dual Rectifier Head
Modern Hi Gain #2 modeled after 1989 Soldano SLO Super Lead Overdrive
B
C
Boutique #2 – modeled after Dumble Overdrive Special Drive
D Jazz Clean with Chorus – modeled after Roland JC 120 Jazz Chorus
Rev D