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Руководство пользователя D-LINK DCS-5211L. Основные функции, характеристики и условия эксплуатации изложены на 102 страницах документа в pdf формате.
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Congratulations! 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0000000 You are the proud owner of a fine electronic keyboard. The Yamaha PSR-520 PortaTone combines the most advanced AWM tone generation technology with state-of-the-art digital electronics and features to give you stunning sound quality with maximum musical enjoyment. A new large graphic display and easy-to-use interface also greatly enhance the operability of this advanced instrument. In order to make the most of your PortaTone’s features and extensive performance potential, we urge you to read the manual thoroughly while trying out the various features described. Keep the manual in a safe place for later reference. Important Features 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 141 outstanding voices with eight percussion kits. A Voice Set function automatically selects appropriate voice parameters whenever a voice is selected. 100 accompaniment styles, each with independent intro, main A and B, 4 fill-ins, and ending sections. Advanced auto-accompaniment technology gives you fully-orchestrated accompaniment to back up what you play on the keyboard. Large multi-function LCD display panel makes it easy to select and edit parameters. One Touch Setting feature instantly provides you with four types of registration settings, all of which match to the selected accompaniment style. Digital Effects — Reverb, Chorus and DSP, let you freely create a variety of different sonic environments. Minus One, and Repeat functions are ideal for learning new songs and polishing your keyboard technique. Song recording feature lets you record two melody tracks with an accompaniment track. With the Multi Pads, you can play and record a number of short rhythmic and melodic sequences, to add a spice to your performance. Registration Memory saves 128 your favorite panel settings for instant recall when needed. Optional Yamaha Music Cartridges can be plugged in for enjoyable automated perform- ance, keyboard practice, and extra accompaniment styles. MIDI compatibility and a range of MIDI functions make the PSR-520 useful in a range of advanced MIDI music systems. Built-in amplifier and speaker system delivers top-quality sound without the need for external equipment. 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0000000000000000000000000000000000000000000000
Contents 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 00000000 Taking Care of Your PortaTone ................................................. 3 Accompaniment and Melody Playback................................... 52 Play from a Specified Measure .............................................. 53 Panel Controls 4 Voice & Volume Rewrite ..................................................... 54 The Music Stand ......................................................................... 5 Clearing the SONG TRACKS ............................................. 54 Setting Up 6 The Multi Pads 55 Power Supply .............................................................................. 6 Playing the MULTI PADS .......................................................... 55 Using An Optional AC Power Adaptor .................................. 6 Recording the MULTI PADS ..................................................... 57 Using Batteries ..................................................................... 6 Using Music Cartridges 60 Connections ................................................................................ 7 The PHONES Jack ............................................................... 7 Inserting a Music Cartridge ................................................. 60 SUSTAIN Jack ...................................................................... 7 Music Cartridge Handling Precautions ............................... 60 AUX OUT R and L+R/L Jack ................................................ 7 Cartridge Accompaniment Styles ........................................... 61 MIDI IN and OUT Connectors .............................................. 7 Selecting Cartridge Styles ..................................................... 61 Cartridge Songs ........................................................................ 62 The Demonstration 8 Cartridge Song Playback ....................................................... 62 Cartridge Registration Presets ................................................ 63 Basic Display Operation 10 Selecting Cartridge Registration ............................................ 63 Playing the PSR-520 12 Practice Features 64 Selecting & Playing Voices ...................................................... 12 The Minus One Mode ................................................................ 64 Keyboard Percussion ......................................................... 14 Specifying the Parts To Be Turned On or Off ..................... 64 The Split Mode .......................................................................... 15 Repeat Play................................................................................ 65 Changing the Split Voice & Related Parameters ................... 15 Overall Functions Touch Response ....................................................................... 17 66 Dual Voice.................................................................................. 17 General Functions .................................................................... 67 Changing the Dual Voice & Related Parameters ................... 18 Keyboard Volume ............................................................... 67 Harmony/Echo........................................................................... 20 Octave ................................................................................ 67 Selecting a Harmony/Echo Type ........................................... 20 Reverb Level ...................................................................... 68 Sustain ....................................................................................... 22 Chorus Level ...................................................................... 68 Transposition ............................................................................ 23 DSP Level ........................................................................... 68 Pitch Bend ................................................................................. 23 Pan ..................................................................................... 68 Voice Set ............................................................................ 69 Digital Effects 24 Accompaniment Volume ..................................................... 69 Using the Digital Effects........................................................... 24 Touch Sensitivity ................................................................ 69 Changing the Reverb Effect ..................................................... 24 Minus-one Right/Left-hand Channel ................................... 70 Selecting the Reverb Effect Type .......................................... 24 Pitch Bend Range ............................................................... 70 Setting the Reverb Return Level ............................................ 25 Metronome ......................................................................... 70 Changing the Chorus Effect .................................................... 26 Tuning ................................................................................. 70 Selecting the Chorus Effect Type .......................................... 26 MIDI Functions .......................................................................... 71 Setting the Chorus Return Level ............................................ 27 Remote Channel ................................................................. 72 Changing the DSP Effect.......................................................... 28 Keyboard Out ..................................................................... 73 Selecting the DSP Effect Type .............................................. 28 Song Out ............................................................................ 73 Setting the DSP Return Level ................................................ 29 Accompaniment Out ........................................................... 73 Local Control ...................................................................... 74 Using Auto Accompaniment 30 External Clock .................................................................... 74 The Stop Accompaniment Function ................................... 37 Initial Data Send ................................................................. 74 Accompaniment Track Control................................................ 38 Bulk Data Send ................................................................... 75 Large/Small Accompaniment .............................................. 39 Receiving Bulk Data ........................................................... 75 Muting Individual Tracks ..................................................... 39 Appendix Changing Accompaniment Track Voices ............................ 40 PSR-520 Function Tree ......................................................... 76 Adjusting Accompaniment Track Volume ........................... 40 About Digital Effect ................................................................ 78 Changing the Accompaniment Split Point ............................. 41 Troubleshooting ..................................................................... 80 One Touch Setting .................................................................... 42 Data Backup & Initialization ................................................... 81 Registration Memory 43 Data Initialization ................................................................ 81 Index........................................................................................... 82 Registering the Panel Settings ................................................ 43 Recall the Registered Panel Settings...................................... 45 Specifications ......................................................................... 83 The Accomp Freeze Function .................................................. 45 Voice List ............................................................................... 84 Song Recording 46 Percussion Kit List ................................................................. 88 MIDI Implementation Chart .................................................... 90 Recording a Melody Track ....................................................... 46 MIDI Data Format .................................................................. 93 Recording Accompaniment With or Without a Melody.............. 49 GM System Level 1 ............................................................ 97 2 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0000000000000000000000000000000000000000000000
Taking Care of Your PortaTone 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 Your PortaTone will give you years of playing pleasure if you follow the simple rules given below: Location Disconnect all cables before moving the instru- ment. Do not expose the instrument to the following Physical shocks caused by dropping, bumping, conditions to avoid deformation, discoloration, or or placing heavy objects on the instrument can more serious damage. result in scratches and more serious damage. Direct sunlight (e.g. near a window). High temperatures (e.g. near a heat source, out- Cleaning side, or in a car during the daytime). Excessive humidity. Clean the cabinet and panel with a dry soft cloth. Excessive dust. A slightly damp cloth may be used to remove Strong vibration. stubborn grime and dirt. Never use cleaners such as alcohol or thinner. Power Supply Avoid placing vinyl objects on top of the instru- ment (vinyl can stick to and discolor the sur- Turn the power switch OFF when the instrument face). is not in use. An AC adaptor, if used (the PSR-520 runs from Electrical Interference either batteries or an optional AC adaptor), should be unplugged from the AC outlet if the This instrument contains digital circuitry and instrument is not to be used for an extended pe- may cause interference if placed too close to riod of time. radio or television receivers. If this occurs, move Unplug the AC adaptor during electric storms. the instrument further away from the affected Avoid plugging the AC adaptor into the same AC equipment. outlet as appliances with high power consump- Data Backup tion, such as electric heaters or ovens. Also avoid using multi-plug adaptors since these can result Internal data (registration memory, user song and in reduced sound quality, operation errors, and user pad data) will be retained in memory even if possibly damage. the power switch is turned OFF as long as an AC power adaptor is connected or batteries are in- Turn Power OFF When Making stalled. Connections Service and Modification To avoid damage to the instrument and other devices to which it is connected, turn the power The PSR-520 contains no user serviceable parts. switches of all related devices OFF prior to con- Opening it or tampering with it in anyway can necting or disconnecting MIDI cables. lead to irreparable damage and possibly electric shock. Refer all servicing to qualified YAMAHA Handling and Transport personnel. Never apply excessive force to the controls, con- nectors or other parts of the instrument. Always unplug cables by gripping the plug firmly, not by pulling on the cable. YAMAHA is not responsible for damage caused by improper handling or operation. 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0000000000000000000000000000000000000000000000