Цифровой многоканальный микшер BOSE T1 ToneMatch audio engine. Инструкция на английском языке

T1 ToneMatch                             TM
AUDIO ENGINE
Owner’s Guide

Svenska     Nederlands     Italiano     Francais      Espanol      Deutsch       Dansk        English
QUICK PATH TO MAKING MUSIC
To get sound right away
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1.  Remove your new T1 ToneMatch                          Trim
audio engine from the carrying bag and               (CH 1)
remove its protective cover (page 6).
2.  Refer to the Quick Setup Guide and
connect your T1 to your L1  system.
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3.  Make sure the T1 Master volume
control is set to 0 (page 16).
4.  Turn on the T1 and then turn on your L1 model II system.
ON
5.  Plug your instrument or microphone into the Channel 1
input on the back of the T1 (page 4).
Vol (CH 1)                            Master
6.  Play your instrument or sing into the microphone.
Turn the CH 1 Trim control clockwise until the input
signal indicator glows green (page 16).           IMPORTANT!
7.  Slowly turn the T1 Master volume control up until it is   Please make sure you read “Optimizing input gain and
approximately in the 12 o’clock position (page 16).  output volume” on page 16. This explains how to prop-
erly adjust the input trim, channel volume, and master
8.  Slowly turn the CH 1 Vol control up until you hear your   volume controls for the best possible sound.
instrument or microphone (page 16).
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English      Dansk        Deutsch      Espanol      Francais      Italiano    Nederlands     Svenska
To shape your sound                                   5.  Mod: Add a modulation effect like chorus or a flanger
(see “Using modulation effects” on page 24).
Rotate the T1 rotary selector to                     6.  Delay: Add a delay (see “Adding delays” on page 25).
choose a function.
7.  Reverb: Add some reverb (see “Adding reverb” on
Use the display information                              page 26).
and control buttons under the
display to change the settings                       8.  Reverb Type: Select a reverb type to affect all channels
(see “Reading the T1 display”                            (see “Selecting a type of reverb” on page 27).
on page 18).
9.  Prefs: View the status display, which shows you the
activated effects on each channel (see “Using the Prefs
utilities” on page 28).
10. If you like the sound that you have created, turn the T1
rotary selector to Scenes and save your settings as a new
1.  ToneMatch  engine: Select a preset designed for       scene. If you don’t like it, try loading one of the five Bose
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your specific instrument or microphone (see “Selecting a   scenes to use as a new starting point (see “Loading and
ToneMatch  preset” on page 20).
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saving scenes” on page 32 and “Bose scenes” on
2.  zEQ: Adjust the low/mid/high-frequency bands specific to   page 37).
the selected ToneMatch preset (see “Adjusting zEQ” on
page 21).
The inside of this owner’s guide provides more informa-
3.  Para EQ: Fine-tune the equalization (see “Adjusting Para   tion on using these features and others not mentioned
EQ” on page 21).                                  here. To get the most out of your T1 ToneMatch audio
engine, please read this owner’s guide.
4.  Comp/Gate: Add some dynamics controls like compres-
sion, limiter, or a gate (see “Using compressor/gate func-  For additional help, visit www.Bose.com/musicians.
tions” on page 22).
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